In Coralie Fargeat's brand-new feminist horror flick The Substance, dangerous social appeal standards are the true beasts. They (women objectification, the fingertip of "the old," the expansion of a sector improved physical body modification) feed a monster of a cycle that leads Demi Moore's fading TV individuality character Elisabeth Glimmer t

In Coralie Fargeat's new feminist terror motion picture The Substance, hazardous popular charm standards are the actual monsters. They (female objectification, the disposal of "the outdated," the expansion of a field improved physical body alteration) nourish a beast of a cycle that leads Demi Moore's fading TV individuality character Elisabeth

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